Art Week Exeter

This summer, after sharing my practice and ideas through an energetic, creative presentation process known as Patter Scatter, I was awarded one of three social art commissions for Art Week Exeter. An opportunity to explore, in my own community, our relationships with place and nature. And with each other too, considering how we record and remember our experiences and how a creative exchange across generations in a place familiar to both of us can forge new connections – with people, with place, and with nature.

As is central to my creative practice, I took a moment after each of the four sessions to write up my experience …

Friday 13 June
Heavitree Park Basketball Ground, with … everyone

Mind and body so tired they no longer form sentences.  But … Fragments:
Constant uncertainty of the weather.  Inside or outside, in or out.
Set-up time slipping through my fingers.
The masses arriving before we were ready, and no way to hold them back: they slip in because they belong here, this is their place.
So many people, all at once.  So. Many. People.
G clinging to me, the overwhelm hitting us both.  A hard moment.
T, with her Mother-in-Law, and Adrienne – little oasis of calm doodling on discs at the table.
Scent of dried lavender.
Letting go.  Slowly, constantly … letting go.
Sonia, bubble of colour, a cluster of children drawn to her like butterflies.
The child who tipped more and more things into her circle – her jungle – and then, finally, jumped on it.

I turned around and … all the materials were gone, just like that.  So I rallied a crew and we headed out, foraged beneath the Sequoias, children showing me each treasure they found.
Small girl with a bag of cones: This is the best day ever.

Seeing A talking to adults, like an adult herself.
Sending my children off to the café with a tenner.  I don’t do that enough.
The frenzy at the typewriters.
Curiosity about the inks.
Letting go.

The drone: vision of Ethan with a cluster of children watching over his shoulder
D’s Mum, who said how valuable this project had been for getting him outside.
Why did I think I could control it?  Why did I WANT to control it?

Berni: We couldn’t have had a better fit for Parklife
My team: absolute gold, each of them.  Sarah and Emily.  Berni.  Becky and Andy.
And hardly a drop of rain.

Emily and Sarah:  The deep down privilege of having a team who hold me and understand me so completely.
Gratitude for the dozens of faces that showed up.  The familiar ones and the new ones.

The crash, the absolute crash as I got home.  Of defeat.  Of overwhelm.  Of everything that it was and everything that it wasn’t.
Gratitude and regret for the adults who showed up: Sorrow that I couldn’t tend to you better and foster the introductions I’d imagined.  [Adrienne, the next day, telling me how important it was to come together with people of all ages; T, later, sharing that her Mother-in-Law is really reticent about creating, doesn’t believe she’s any good, and that today she got stuck straight in]

The trickle of messages that came in afterwards, that told me that while I was busy trying to contain the chaos, magic was happening elsewhere.

And then later, as the drone pictures slipped into my phone … seeing Doodles from above for the first time ever.  The scale – that there was, after all, a kind of coherence.  There’s almost a teardrop there, don’t you think, in the shape?

Seeing the Doodles in the context of the park – just how big what I TRIED to do was.  And just how big what I DID was.

And I hardly even spoke to Ethan with the drone.  Thank you, Ethan.

If it wasn’t what I thought I would do, it was still something quite momentous.  I counted up the circles in the drone pictures and there were 79.  That means that in two hours, at least 79 people came and doodled.  No wonder it was … busy.

I’ve never felt so tired in my life.

The hardest thing about social art is that you can only learn by doing it WITH people, and I’m so eternally grateful to you all for letting me learn on you.

Berni: You’re part of Parklife now.

With a thousand thanks to Art Work Exeter, Parklife (and Berni in particular), St Michael’s Primary Academy, Emily and Sarah and all those who took part. The social art commission is introduced here.

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